Edinburgh Fringe comedy review

Gender identity has been a big talking point in Fringe shows this year, as it has been in the world at large. But double act Shelf, founders of The LOL Word collective of queer women, trans and non-binary comedians, can offer an unusual perspective.

Ruby Clyde has recently changed her appearance from a typically feminine look to something more androgynous, while her sexuality also switched from straight to lesbian. Childhood friend Rachel WD, however, is presented as the control in this social experiment, constant in her boyish looks and gayness. As the daughter of two queer parents, she presents herself, tongue very much in cheek, as the Messiah of her sexuality.

Ruby’s changing perspective is the backbone of the show, with stories of previously unheard-of run-ins with the ‘guardians of the ladies’ toilet’, how men treat her differently now and the ex who assumed he’d ‘made her gay’. They also cover the fetishising of lesbianism and the sexism of those who assume they are couple with Ruby the ‘property’ of her more masculine-presenting bestie.

But for all the significant issues their experiences could raise, Hair is no contemplative tract on gender conventions but just a couple of pals sharing their everyday experiences and amiable bemusement at the way things are. On stage, Ruby is so chilled and Rachel so puppyish that it would be most out of character for them to get serious or angry about anything.

The duo’s easy banter is punctuated with a few catchy songs, such as a heterosexual duet about how each gender has different fears for a date and You Can’t Bully Sexy, about how Ruby was oblivious to being the victim of bullying at school. She’s the singer and guitarist, with WD very much the Bez of the duo, bringing enthusiasm and dancing but zero musical ability to the mix.

Their near-lifelong bond gives them an effortless chemistry as well as the familiarity to share any confidence. They make the audience feel a welcome part of this intimate friendship circle, their openness offering an insight into their experiences for those who don’t share them, and a ‘you are not alone’ assurance for those who do. But above all, their debut hour is just jolly good fun.

Review date: 29 Aug 2022
Reviewed by: Steve Bennett
Reviewed at: Pleasance Courtyard