Nominated for best show at the 2014 Fosters Edinburgh Comedy Awards and winner of the 2014 Chortle Breakthrough Award, Sara Pascoe has been working as a comedy actor, sketch performer, improviser and writer since 2006, when she joined the Newsreue topical sketch show. She started stand-up in late 2007 and the following year was a runner-up in the Funny Women competition and placed third in the So You Think You're Funny? new act competition.
In 2009, she had a regular role in the Channel 4 sitcom Free Agents as the disrespectful assistant, Emma.
Review of the British version of the hit international format
Britain is the 29th country to make its own version of Last One Laughing, the Amazon Prime Video format in which comedians are sequestered in a reality TV-style house and told not to crack up, despite the best efforts of their colleagues.
It’s a surprise it’s taken so long to get to these shores, given our vibrant comedy scene and panel-show culture. It’s the latter, especially, which gives this a different feel to some of the other international editions, as it means the comedians are tapping into the longstanding working relationships they maintain through such shows even after they’ve left the circuit for solo touring. Meanwhile, TV viewers get to know the cohort of telly regulars like friends, with all their exaggerated personality quirks.
Essentially, then, Last One Laughing is an extension of the Cats Does Countdown Cinematic Universe. Not only is it hosted by Jimmy Carr – as is the law – but each of the ten contestants have appeared on the Channel 4 show, so are instantly known to each other and the audience.
And they naturally play to type: Joe Wilkinson as the sullen, slovenly oddball, Rob Beckett as the ever-grinning South London everyman, Lou Sanders as the playful over-sharing agent of chaos – and, it transpires, a rather aggressive player of the game of in trying to get the others to giggle. Her eyeball-to-eyeball showdown with Joe Lycett is quite something.
Richard Ayoade is, however, the biggest scene stealer with his aloof stance, apparently thinking the whole venture beneath him and even making several tongue-in-cheek breaks for freedom. Will anyone crack his inscrutable demeanour? ‘I haven’t laughed since the 1990s,’ he tells us. Seems credible.
Bob Mortimer is a dream booking on any show like this, and comes into his own in episode two when as his ‘joker’ challenge – in which comics perform a set-piece to fellow inmates – he deadpans a typically eccentric magic act, with carrots at their core. Wilkinson’s earlier joker round is another that tests the steel of his fellow comics, and their stifling of laughs is palpable.
Producers – and Jeff Bezos’s deep pockets – have attracted an A-list line-up that also includes Daisy May Cooper (normally an inveterate laugher), Sara Pascoe and Harriet Kemsley with Roisin Conaty as Carr’s sidekick, forever scanning the comics’ faces looking for transgressions.
Her inclusion is a smart move as it ensures laughter even when the contestants aren’t allowed to. In contrast, in the more disappointing Irish version, host Graham Norton was alone in the viewing room until a third of the way through the third episode, when a comic was ejected and finally allowed to join him.
Not many of the international versions of this show – which originated as a Japan format called Documental with comedians putting up their own money as the prize – make it to a second series. But if Britain was to break that pattern, it would be interesting to see how lesser-known comedians compared against their more familiar names, in the same way Taskmaster introduces up-and-comers to a wider audience.
However, that might be at the risk of the mates-sharing-downtime vibe exuded by this impressive group, which provides a shorthand and naturalness to their interactions that overrides the need to suppress laughs for the sake of the game.
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