George Carlin

George Carlin

Date of birth: 12-05-1937
Date of death: 22-06-2008
George Carlin was born and raised in New York.,dropped out of high school and enlisted in the Air Force as a radar technician, during which time he started working as a radio disc jockey, off base.

He began his comedy career in in the late Fifties, with a conventional act that revolved around wordplay and reminiscences of his working-class upbringing in New York. He teamed up with Jack Burns, and played the conservative nightclub circuit for a couple of years

But in 1962 Carlin saw Lenny Bruce get arrested for a drug joke in Chicago. The encounter made an impact on Carlin. Toward the end of the decade, he grew his hair, ditched his suits and worked on a harder-hitting, more honest routine with references to drugs and sex.

There was a backlash from the lucrative nightclub circuit he had been working, and bookings dried up.

But he quickly found new fans in among youngsters, and started play colleges and ‘counterculture’ coffee houses, which allowed him to rebuild his career. His second album, FM & AM, released in 1972, had older material on the AM side with bolder, routines on the FM side.

He later said: ‘I was doing superficial comedy entertaining people who didn’t really care: Businessmen, people in nightclubs, conservative people. And I had been doing that for the better part of ten years when it finally dawned on me that I was in the wrong place doing the wrong things for the wrong people.’

In 1972, he also recorded the routine for which he became most famous – the controversial Seven Words You Can Never Say On Television He was arrested for obscenity for performing it in 1972, On July 21, 1972, at Milwaukee's Summerfest, but the case was dismissed.

Its later airing on a New York radio station in the middle of the afternoon led to a groundbreaking US Supreme Court case in 1978, which led to a nationwide 10pm watershed for indecent material. Of the case, Carlin said: ‘My name is a footnote in American legal history, which I'm perversely kind of proud of.’

Carlin was the first ever host of Saturday Night Live, in 1975, and over his long career recorded 23 albums of stand-up, 14 HBO specials and made 130 appearances on The Tonight Show, as well as writing three books of humorous observations.

Drug addiction, particularly cocaine, plagued him for much of his life; and in the Eighties, Carlin survived a heart attack, two open-heart surgeries and serious tax problems.

In the Nineties he branched into acting, appearing in the Barbra Streisand movie Prince of Tides, Bill and Ted's Excellent Adventure and Dogma. He even provided the voiceover for Thomas The Tank Engine in the US.

In 2004, Comedy Central named him the second best stand-up comedian of all time, behind Richard Pryor. But at the end of the year he had to take two months off touring to go into rehab for his addictions to Vicodin and red wine.

And in 2008 it was announced that he would be awarded t the Mark Twain Prize for American Humor, but he died the week after it the news broke, of heart failure. He had been working just a week before his death, at the age of 71.

Read More

Fury as AI creates a 'George Carlin' stand-up special

Late comedian's daughter says tech has 'crossed a line'

George Carlin has released a new special – 15 years after his death.

But the new hour-long show, I’m Glad I’m Dead, has been created with the aid of artificial intelligence, much to the chagrin of the comedian’s daughter. 

It is the product of podcast Dudesy, hosted by journalist Chad Kultgen and comedian Will Sasso, which also uses bots to generate content.

According to the stand-up show’s preamble, the software analysed the late comic’s work then tried to ‘imitate his voice, cadence and attitude’ as well as the subject matter that might have interested him today.

But writing on social media, Kelly Carlin said: ‘My dad spent a lifetime perfecting his craft from his very human life, brain and imagination. No machine will ever replace his genius. 

‘These AI generated products are clever attempts at trying to recreate a mind that will never exist again. Let’s let the artist’s work speak for itself. Humans are so afraid of the void that we can’t let what has fallen into it stay there.’

She added that she had not given permission for the special and said its creators had ‘arrogantly stepped over a line in the world of comedy today that will surely affect dead artists and their estates’.

Last year, Sarah Silverman, launched a lawsuit against ChatGPT owner OpenAI and Facebook’s parent company Meta alleging copyright infringement for scraping the contents of her autobiography Bedwetter.

And in a landmark case, The New York Times is suing OpenAI and its parent company, Microsoft, accusing the developers of taking a ‘free ride’ by building products on the back of its content without permission or payment. The lawsuit suggests the tech company – which is fighting the case – should be held liable for ‘billions of dollars’ in damages.

Dudesy put their defence in the introduction to the Carlin special, having the AI say in the comedian’s voice: ’I just want to let you know very clearly that what you're about to hear is not George Carlin, it’s my impersonation of George Carlin that I developed in the exact same way a human impressionist would.

‘I listened to all of George Carlin's material and did my best to imitate his voice, cadence and attitude as well as the subject matter I think would have interested him today so think of it like Andy Kaufman impersonating Elvis or like Will Ferrell impersonating George W Bush.'

The ensuing special covers topics such as mass shootings, Donald Trump and why religious people praise God for the good things in life but do not blame him for the bad.

Also on the agenda is AI, with the bot saying: ‘Seems that many of you are scared of AI… you all think it's going to replace your jobs and you somehow think that's a bad thing. When did everybody all of a sudden start liking their jobs?

With software having no sense of irony, the fake Carlin even jokes that stand-up could be erased by the technology, saying sarcastically: ‘I know what all the stand-up comics across the globe are saying right now, "I’m an artist and my art form is too creative, too nuanced, too subtle to be replicated by a machine. No computer program can tell a fart joke as good as me".’

Elsewhere he says: ‘Art used to be  made by artists that wanted to challenge us to think about the world and our place in it now it's content made by corporations that don't want anyone thinking about anything. These billionaires don't want a thinking  population, they want a distracted population.’

Quite how much real AI is used in Dudesly, and how much it is a conceit, has been the subject of much discussion among the podcast’s fans.

Last year, Sasso told Business Insider the bot ‘is not fake’ insisting he was legally bound not to go into details of the AI technology.

Expert Matthey Housser told the same website: ‘I don't think there's any red flags here that suggests that there's not AI involved, involved being the key word. 

‘Some aspects of it are probably manually managed and curated by humans. It's obvious there's a team that's running the show, but I totally believe that the entire script of every episode is generated by AI, that's very easy to believe.’

Chortle gave Chat GPT the prompt: 'Write a short stand-up comedy routine in the style of George Carlin about AI being a threat to comedians' jobs' – and this is what it came up with: 

You know, I've been thinking about these AI machines. Yeah, those brainy robots that are supposed to make our lives easier. And guess what? Now they’re coming for our jobs.

Yeah, that’s right. Even us, the comedians. I mean, seriously? Picture this: A robot on stage, telling jokes. No drink minimum for the machine, no need for a bathroom break. And if you don’t laugh? It just reprograms itself until you do. Yeah, that's fair competition, right? I always wanted to go head-to-head with a hunk of wires and chips.

And these AI, they're writing jokes now. But here’s the thing, they’re not writing jokes about their own robot lives. No, they're stealing our human experiences! What's next? An AI with a bad childhood? An AI complaining about its motherboard-in-law? I mean, what’s a robot going to joke about? "Oh, I had a rough day, had to process two terabytes of data. And you know how hard it is to get a good Wi-Fi signal in a crowded room?" Yeah, real relatable stuff there, tin man.

And the censorship, oh boy! The AI, it's all politically correct. You won’t hear it swearing or getting into the nitty-gritty of life. Because it doesn’t know jack about life! It’s like competing with a parrot. A very smart parrot, but still.

Imagine a world where comedians are replaced with AI. You walk into a comedy club and there's just a laptop on a stool. And you know what? The laptop kills it. Not because it’s funny, but because it’s hacked into your Facebook profile and is blackmailing you to laugh. That’s the future, folks. A world where you’re blackmailed by a laptop to laugh at its knock-knock jokes.

So, yeah, I'm not worried about AI taking my job. Because at the end of the day, comedy is about the messiness of being human. And until a robot can get drunk, get dumped, and pay taxes, I think my job is safe. And if not, well, I guess I can always get a job repairing them. I hear they have a great healthcare plan.

The real Carlin died in 2008 at the age of 71.

Thanks for reading. If you find Chortle’s coverage of the comedy scene useful or interesting, please consider supporting us with a monthly or one-off ko-fi donation.
Any money you contribute will directly fund more reviews, interviews and features – the sort of in-depth coverage that is increasingly difficult to fund from ever-squeezed advertising income, but which we think the UK’s vibrant comedy scene deserves.
Read More

Published: 11 Jan 2024

Carlin in rehab |   'I use too much wine and drugs'

Carlin in rehab

Veteran American stand-up George Carlin has checked…
28/12/2004

Skip to page

Agent

We do not currently hold contact details for George Carlin's agent. If you are a comic or agent wanting your details to appear here, for a one-off fee of £59, email steve@chortle.co.uk.

We see you are using AdBlocker software. Chortle relies on advertisers to fund this website so it’s free for you, so we would ask that you disable it for this site. Our ads are non-intrusive and relevant. Help keep Chortle viable.