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Sabrina George - Postmodernism Comedy And Me
Sadie Nine: Sex, Drugs and Sausage Rolls
Searching For Harry
Shazia Mirza: Wish You Were Here?
Sheila Hamilton: My Granny Was A Leprechaun
Shelley Cooper: It Could Be You
Simon Farnaby: Lessons Learned Driving a Tractor
Simon Munnery's AGM
Simon Munnery: Buckethead
Simon Woodroffe - How I Got My Yo!
Skinny No Foam
Slaves Of Starbucks
sml Med LRG
So You Think You're Funny Final
So You Think You're Funny semi-finals
Sol Bernstein: Almost Alive II
Son Of Barnum: A Stunt Too Far
Sprout Presents Premiere
Stand Up For Freedom
Stephen K Amos
Steve Hughes At War With Satan
Steve Nallon's Adventures In Wonderland
Steven Alan Green: Service Not Included
Stickmen: Year One
Still Seriously Funny
Strange And Treacherous Comedy
Suki Webster: Body-Part Double
Sven Stacy: Showbiz Agent
Swearing Is Both Big And Clever
Show type: Edinburgh Fringe 2004
Sadie Nine: Sex, Drugs and Sausage Rolls
Sadie Nine and Madam unleashed for an Edinburgh premiere. Sex, Drugs and Sausage Rolls charts her rollercoaster ride from No 1 album in Russia - The Russian Madonna- to West End Lautrec to top BBC presenter
This show is in the comedy section of the Fringe programme, but is not remotely a comic performance. I can see the problem. It doesn't fit into any neat category.
The production values are high for the Fringe. An elaborately-cluttered showbiz set, lots of audio inserts and Sadie occasionally belting out big, brassy disco and West End musical songs.
The show is really in the erratic tradition of theatrical memoirs. Sadie started as a magician's assistant touring down-at-heel provincial theatres and got her break when she went to Moscow to appear as a disco diva on Soviet TV's Top Of The Pops, little realising the country only had a single TV channel, she would be seen by 100 million people in one night and would become The Russian Madonna - an unfathomably famous Soviet singing star earning millions.
The bad news was that they were millions of roubles, which could not be taken out of the country, so she eventually started getting paid in Russian icons and suchlike, culminating in the offer of an $11 million MiG-47 fighter jet.
Returning to Britain and obscurity, she then got a phone call from Shane Richie (she plays his answerphone message!) to appear in a stage version of Boogie Nights, got another musical offer which turned into a poisoned chalice and ended up in Communist China where she almost recreated her Soviet fame.
And that doesn't even mention her radio career... nor the cute chihuahua who is briefly brought on to stare with understandable disbelief at the audience.
Sadie's is an extraordinary story professionally, though blandly, told. It becomes simply a list of what happened; it needs tiny killer details to illuminate what happens - character description and bizarreness.
But I hope it does what Sadie seems to want it to be - a calling card for any promoters, agents and producers in the audience. It's a 60-minute audition performance and I only hope that this admirable woman will be catapulted to megastardom yet again, this time perhaps in North Korea, Turkmenistan or maybe even the West End.
The show should not be in the comedy section, but it should be seen by all readers of Fortean Times and lovers of the truly strange.
I was speechless and the doctors say I may never talk again....
Thanks for your comments. You're spot on, I didn't know which category to go into! But luckily most audiences laughed at it. I've been asked to do the show in New York and Athens so very pleased with my first ever Festival. And you never know what I'll be retelling next year. Thanks as well to your emailers who saw the show - much appreciated
What an unexpected pleasure! This is what Edinburgh is all about, you go along thinking 'I give it a go' and you are in the company of someone truly talented. Breath of fresh air! I laughed and laughed. This woman has been in the business for years and is not scared to tell you - warts and all.
Fantastic show. Such a great voice. Must be pick of the fringe - so far.